NEXT FASANERIE SHOW

Posted on Mar 12, 2016

02.04.2016 -
PART WILD HORSES MANE ON BOTH SIDES // JSCA // SAWADA // ELECTRIC MUD // FEINSTAUB // GROUP PUHP @ Fasanerie, Saarbrücken

 

Eine lange Nacht mit viel Mukke.
Wir laden herzlich ein:

Samstag, 2. April, 20 Uhr (ziemlich pünktlich)
FASANERIE, Fasanerieweg 12, SB

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PART WILD HORSES MANE ON BOTH SIDES
drums/flute duo
UK

Kelly Jayne Jones and Pascal Nichols are pwhmobs, a consistently idiosyncratic and adventurous free music group. Hailing from the north of England via France they have the ability to induce hermetic sonic states through a process of ritualistic improvisation. Employing flute, percussion and electronics alongside a vast cache of sonic artifacts that they have collected over the years (field recordings, found objects, old media), they conjure up a bold and evocative ancient/modern sound spectrum. Their compositions/performances traverse epic contours, veering from moments of spare, poetic beauty to unhinged rural psychedelia, unified by an acute awareness of time, space and silence.

They have released countless limited run editions on cassette, vinyl and CD via their own Rayon Recs imprint, Singing Knives, Chocolate Monk, Beniffer and MIE, with forthcoming releases scheduled on Sacred Tapes, Golden Lab and Tombed Visions. Among many projects they have collaborated with Pelt and Michael Morley of the Dead C as Pelt Part Wild Gate and with Ashtray Navigations as Human Horses.

Recently they have worked extensively with the artist Haris Epaminonda on a number of film-sound installations, exhibiting at Tate Modern London, MOMA, Kunsthaus Zurich and Modern Art Oxford among others.

https://soundcloud.com/experimedia/part-wild-horses-mane-on

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JSCA
synths/electronix duo
UK

Electronics duo JSCA, named after a song by obscure 80′s act Monoton, creates repetitive, static machine music. Pulsating sine- and square waves drenched in delay, clattering synth noises and cold, detached female vocals.

“…Reminiscent of very early Gate, the title track from JSCA’s tape ‘No Ends’ feels ghastly, diseased, and malicious; it’s as though someone saw fit to awkwardly mash up the field recordings of a helicopter, a bass drone, and a dying woman mumbling incoherently through several thin layers of papier-mâché. One wonders: Is this what it sounds like at the tail end of a long, painful illness, when the machines laboring anonymously to keep you alive are more powerful than you, to the point that you can no longer hear yourself speak above them?” – Village Voice

https://soundcloud.com/alien-passengers/jsca-no-ends

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SAWADA
snare drum solo
JP

Morihide Sawada is playing just one snare drum, adopting japanese feeling, african rhythm, sense of minimal techno and ambient atmosphere for his music. He offers joy of acoustic experimental sounds from just one snare drum. Its music has received strong influence from traditional folk music and minimalism.

In a typical show, Sawada improvises off of a motif for every part in a usually unbroken 15~30 minutes song, concentrating all his senses on the simple sound of the snare drum – preferebly under the complete acoustic condition with a non-microphone and non-PA system. This creates a “monotone sound trip” with the audience.

http://www.snaredrumsolo.com/
https://www.youtube.com/watch?v=hXqFg_5OCDg

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ELECTRIC MUD
Lapsteel, solo
FR

is Michel Henritzi from Metz, playing solo guitars, lapsteel & amp – from distorted and thick noise to abstract blues.

Henritzi is a member of noise-units Dust Breeders, Mile Of String & O Death Jug. Regular partner to Junko (Hijokaïdan), Rinji Fukuoka (majustsu no niwa) & Kumiko Karino. Played with Tetuzi Akiyama, Aqui avec Gabriel, Shinichi Isohata, Masayoshi Urabe, Chie Mukai, Jojo Hiroshige, Ito Atsuhiro, Mattin and Nihilist Spasm Band, among others.

https://michelhenritzi1.bandcamp.com/
http://michelhenritzi.canalblog.com/

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FEINSTAUB
Gong/synths duo
GER

sind Lisa Biedlingmeier und Moritz Finkbeiner aus Zürich/Stuttgart. Als Duo frisch gebacken, als Akteure seit Jahren mit diversen Projekten umtriebig in Musik, Kunst und Untergrund.

Als Feinstaub wandern sie gemeinsam von einer fragilen Stille bis zu einem dichten Maximum an Frequenzen und Lautstärke. Eine Wanderung, welchem das Prinzip der yogischen Gong-Meditation nach Nanak Dev Singh zu Grunde liegt. Das zentrale Instrument, ein 80cm Synphonie Gong, wird dabei von Korg Delta- und Gitarrendrones in D- und A-Stimmung begleitet. Eine langsame Wanderung bis zum heavy high holala Peak.

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GROUP PUHP
A-Orchester
GER

ist eine offene vielköpfige Gruppe für Musiküberraschungen. Die Gruppe kommt erstmalig, ungeprobt, spontan und aus aller Herrenstädte zusammen und hat im Gepäck die gesamte Pallete an elektronischen, gebastelten, vertrauten und geklauten Instrumenten aus aller Welt. Ignoranz, Mitgefühl, Selbstlosigkeit und Zorn sind nur einige der Prinzipien des improvisierten Spiels von Group Puhp. „Everything’s happening“ beobachteten damals schon Landed – und wir können nur feststellen: es hat sich nichts daran geändert!

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